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<li><a class="hide" href="#nogo">John Constable</a>
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<p>Although he showed an early talent for art and began painting his native Suffolk scenery before he left school, his great originality matured slowly.</p>
<img src="constable.jpg" alt="The Hay Wain" title="The Hay Wain"/>
<p>He committed himself to a career as an artist only in 1799, when he joined the Royal Academy Schools and it was not until 1829 that he was grudgingly made a full Academician, elected by a majority of only one vote.</p>
<p>In 1816 he became financially secure on the death of his father and married Maria Bicknell after a seven-year courtship and in the fact of strong opposition from her family. During the 1820s he began to win recognition: The Hay Wain (National Gallery, London, 1821) won a gold medal at the Paris Salon of 1824 and Constable was admired by <a href="http://www.ibiblio.org/wm/paint/auth/delacroix/">Delacroix</a> and Bonington among others.</p>
<p>His wife died in 1828, however, and the remaining years of his life were clouded by despondency.</p>
<p>This text is an excerpt from <a href="http://www.ibiblio.org/wm/paint/auth/constable/">The WebMuseum, Paris</a></p>
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<li><a class="hide" href="#nogo">Claude Monet</a>
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<p>His youth was spent in Le Havre, where he first excelled as a caricaturist but was then converted to landscape painting by his early mentor <a href="http://www.ibiblio.org/wm/paint/auth/boudin/">Boudin</a>, from whom he derived his firm predilection for painting out of doors.</p>
<img src="monet.jpg" alt="Women in the Garden" title="Women in the Garden"/>
<p>In 1859 he studied in Paris at the Atelier Suisse and formed a friendship with <a href="http://www.ibiblio.org/wm/paint/auth/pissarro/">Pissarro</a>. After two years' military service in Algiers, he returned to Le Havre and met <a href="http://www.ibiblio.org/wm/paint/auth/jongkind/">Jongkind</a>, to whom he said he owed `the definitive education of my eye'.</p>
<p>He then, in 1862, entered the studio of Gleyre in Paris and there met Renoir, Sisley, and Bazille, with whom he was to form the nucleus of the Impressionist group.</p>
<p>Monet's devotion to painting out of doors is illustrated by the famous story concerning one of his most ambitious early works, Women in the Garden (Musée d'Orsay, Paris; 1866-67). The picture is about 2.5 meters high and to enable him to paint all of it outside he had a trench dug in the garden so that the canvas could be raised or lowered by pulleys to the height he required.</p>
<p><a href="http://www.ibiblio.org/wm/paint/auth/courbet/">Courbet</a> visited him when he was working on it and said Monet would not paint even the leaves in the background unless the lighting conditions were exactly right.</p>
<p>This text is an excerpt from <a href="http://www.ibiblio.org/wm/paint/auth/monet/">The WebMuseum, Paris</a></p>
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<li><a class="hide" href="#nogo">Vincent Van Gogh</a>
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<p>Gogh, Vincent (Willem) van (b. March 30, 1853, Zundert, Neth.--d. July 29, 1890, Auvers-sur-Oise, near Paris), generally considered the greatest Dutch painter and draughtsman after <a href="http://www.ibiblio.org/wm/paint/auth/rembrandt/">Rembrandt</a>.</p>
<img src="vincent.jpg" alt="The Starry Night" title="The Starry Night"/>
<p>With <a href="http://www.ibiblio.org/wm/paint/auth/cezanne/">Cézanne</a> and <a href="http://www.ibiblio.org/wm/paint/auth/gauguin/">Gauguin</a> the greatest of Post-Impressionist artists. He powerfully influenced the current of <a href="http://www.ibiblio.org/wm/paint/glo/expressionism/">Expressionism</a> in modern art. His work, all of it produced during a period of only 10 years, hauntingly conveys through its striking colour, coarse brushwork, and contoured forms the anguish of a mental illness that eventually resulted in suicide. Among his masterpieces are numerous self-portraits and the well-known <a href="http://www.ibiblio.org/wm/paint/auth/gogh/starry-night/">The Starry Night</a> (1889).</p>
<p>This text is an excerpt from <a href="http://www.ibiblio.org/wm/paint/auth/gogh/">The WebMuseum, Paris</a></p>
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